According to Twentieth Century Philosopher Suzanne Langer, Music is considered to be the "Purest of symbolic media". She goes on by questioning if music can be the universal language for everyday life. Being a musician, I wish it was true, but music is definitely NOT the universal language.
One might argue who in the world does not know the first four chords of Beethoven’s Fifth Symphony? While everyone in the world might know this particular melody, it doesn’t hold the same cognitive and intrinsic value for everyone. For example, my interpretation could be vastly different from yours.
When I hear the opening phrase of Beethoven 5, I think of a few different things. The first think that comes to mind is that commercial circa 1986 with the different answering rings. I can still hear that tenor voice belting out “Nobody’s home…..Nobody’s home”. I also think of my experience playing this piece with the Kent State University Orchestra. We rehearsed and rehearsed this piece and each time it was an absolute disaster. On the day of the concert we expected it not to go so well, but somehow we pulled it off and it sounded great.
Unfortunately, when Beethoven was composing this great piece, I do not think he pictured it to be a catchy answering machine jingle. I have read a few books on Beethoven’s life and it is even uncertain as to what he was thinking about when he was composing the piece. One book states that he used those chords throughout the piece to symbolize God knocking on his door. Another book states that the particular interval of the chords (a minor third) symbolizes birds chirping on his morning walk.
If music was a universal language, then it would be constant throughout the world. One might say, but in Japan you can take that same Beethoven Symphony and sit it in front of a group of musicians and they would be able to read the music. While this is true, deep down, this is not truly the music which defines Japanese culture. Japanese folk music differs from Western Art Music in many ways. Eurocentric music is based on an eight note scale, while Japanese music is based on a twelve note scale. Japanese music is also notated in a completely different syntax than Western Art Music.
If music was the universal language everyone would be able to read and define it. Not all music is definable. Some musics were composed just out of sheer mathematical value. For example, has anyone listened to any Schoenberg? His music is based on a whole different scalular pattern than anyone in Europe.
So in my opinion, Langer is a bit off on claiming that music the only constant way of language. Maybe money is the universal language. Everyone can spend it. Not everyone can read or play music.